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Particle Adhesion Applications and Advances G & B Pub? Fla.) Adhesion Society Meeting 1999 (Panama Beach? Nev.) Adhesion Society Meeting 1999 (Las Vegas? David J. Quesnel? Donald S. Rimai? Louis H. Sharpe? G&BPub? Fla.)AdhesionSocietyMeeting1999(PanamaBeach? Nev.)AdhesionSocietyMeeting1999(LasVegas? DavidJ.Quesnel? DonaldS.Rimai? LouisH.Sharpe? ユーズドブック(洋書)-Engineering Subjects-Engineering-Chemical-Materials? Subjects-Engineering-General? Subjects-Engineering-MaterialsScience-General? Subjects-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-Chemical-Materials? Subjects-Professional&Technical-Engineering-MaterialsScience-General? Subjects-Professional&Technical-Engineering-MaterialsScience-MechanicalPropertiesofSolids? Subjects-Professional&Technical-Engineering-General Subjects-Professional&Technical-Medical-BasicSciences-Chemistry? Subjects-Professional&Technical-ProfessionalScience-Physics-SolidStatePhysics? 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Subjects-Professional&Technical-Engineering-Telecommunications-General? Subjects-Science-General Fachworterbuch Industrielle Elektrotechnik, Energie-Und Automatisierungstechnik/Dictionary of Electrical Engineering, Power Engineering and automation Deutsch-English/German-English Vch Verlagsgesellschaft Mbh? Heinrich Bezner? VchVerlagsgesellschaftMbh? HeinrichBezner? ユーズドブック(洋書)-Engineering ユーズドブック(洋書)-Reference? Subjects-Engineering-Reference? Subjects-Engineering-Telecommunications? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-English(All)? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-ForeignLanguage? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-General? Subjects-Nonfiction-Education-Reference-Dictionaries&Thesauri-Science? Subjects-Nonfiction-Education-LanguageInstruction-Instruction-German? Subjects-Professional&Technical-Engineering-Reference? Subjects-Professional&Technical-Engineering-Telecommunications? 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package practice17; import java.io.IOException; import javax.servlet.RequestDispatcher;import javax.servlet.ServletException;import javax.servlet.http.HttpServlet;import javax.servlet.http.HttpServletRequest;import javax.servlet.http.HttpServletResponse;import javax.servlet.http.HttpSession; /** * Servlet implementation class Practice17Servlet2 */public class Practice17Servlet2 extends HttpServlet {private static final long serialVersionUID = 1L; /** * @see HttpServlet#doPost(HttpServletRequest request, HttpServletResponse response) */protected void doPost(HttpServletRequest request, HttpServletResponse response) throws ServletException, IOException {HttpSession session = request.getSession(false);String username = request.getParameter("param1");String password = request.getParameter("param2"); if (username.equals("") || password.equals("")) {RequestDispatcher dispather = request.getRequestDispatcher("/jsp/practice17_1.jsp");dispather.forward(request, response);return;} User user = new User(username, password); session.setAttribute("username", user.getUsername());session.setAttribute("password", user.getPassword());String url = "/j2eepractice/practice17_3";response.sendRedirect(url);return; } }
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Archaic Horizon Boltfish Electricwestは、アメリカ北西部アイダホ州出身のPat Benolkinによるソロユニット。 1997年より音楽について独学を開始し、2001年にDJと作曲を始めた。 2007年2月、Expanding Electronic Diversityより1stアルバム"Together We Fade"を100部限定でリリースした。 同年3月にBoltfish Recordingsから2ndtアルバム"Drawing Plans For Delicate Evasion"を発売。このアルバムジャケットに使用された写真の撮影場所は、新宿大ガード西付近である。 翌2008年、オンラインレーベルのArchaic Horizonより"Divine De Vice"を配信した。これにはMilleuのリミックスも収録されている。 ちなみに2009年にもArchaic Horizonより、こちらはEluder名義だが作品を配信している。 Sample(Down We Go) Links 公式 My Space bandcamp
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CHAPTER XXXV UP CHAPTER XXXVII CHAPTER XXXVI The Glory and the Dream On the morning when the final results of all the examinations were to be posted on the bulletin board at Queen s, Anne and Jane walked down the street together. Jane was smiling and happy; examinations were over and she was comfortably sure she had made a pass at least; further considerations troubled Jane not at all; she had no soaring ambitions and consequently was not affected with the unrest attendant thereon. For we pay a price for everything we get or take in this world; and although ambitions are well worth having, they are not to be cheaply won, but exact their dues of work and self-denial, anxiety and discouragement. Anne was pale and quiet; in ten more minutes she would know who had won the medal and who the Avery. Beyond those ten minutes there did not seem, just then, to be anything worth being called Time. "Of course you ll win one of them anyhow," said Jane, who couldn t understand how the faculty could be so unfair as to order it otherwise. "I have not hope of the Avery," said Anne. "Everybody says Emily Clay will win it. And I m not going to march up to that bulletin board and look at it before everybody. I haven t the moral courage. I m going straight to the girls dressing room. You must read the announcements and then come and tell me, Jane. And I implore you in the name of our old friendship to do it as quickly as possible. If I have failed just say so, without trying to break it gently; and whatever you do DON T sympathize with me. Promise me this, Jane." Jane promised solemnly; but, as it happened, there was no necessity for such a promise. When they went up the entrance steps of Queen s they found the hall full of boys who were carrying Gilbert Blythe around on their shoulders and yelling at the tops of their voices, "Hurrah for Blythe, Medalist!" For a moment Anne felt one sickening pang of defeat and disappointment. So she had failed and Gilbert had won! Well, Matthew would be sorry--he had been so sure she would win. And then! Somebody called out "Three cheers for Miss Shirley, winner of the Avery!" "Oh, Anne," gasped Jane, as they fled to the girls dressing room amid hearty cheers. "Oh, Anne I m so proud! Isn t it splendid?" And then the girls were around them and Anne was the center of a laughing, congratulating group. Her shoulders were thumped and her hands shaken vigorously. She was pushed and pulled and hugged and among it all she managed to whisper to Jane "Oh, won t Matthew and Marilla be pleased! I must write the news home right away." Commencement was the next important happening. The exercises were held in the big assembly hall of the Academy. Addresses were given, essays read, songs sung, the public award of diplomas, prizes and medals made. Matthew and Marilla were there, with eyes and ears for only one student on the platform--a tall girl in pale green, with faintly flushed cheeks and starry eyes, who read the best essay and was pointed out and whispered about as the Avery winner. "Reckon you re glad we kept her, Marilla?" whispered Matthew, speaking for the first time since he had entered the hall, when Anne had finished her essay. "It s not the first time I ve been glad," retorted Marilla. "You do like to rub things in, Matthew Cuthbert." Miss Barry, who was sitting behind them, leaned forward and poked Marilla in the back with her parasol. "Aren t you proud of that Anne-girl? I am," she said. Anne went home to Avonlea with Matthew and Marilla that evening. She had not been home since April and she felt that she could not wait another day. The apple blossoms were out and the world was fresh and young. Diana was at Green Gables to meet her. In her own white room, where Marilla had set a flowering house rose on the window sill, Anne looked about her and drew a long breath of happiness. "Oh, Diana, it s so good to be back again. It s so good to see those pointed firs coming out against the pink sky-- and that white orchard and the old Snow Queen. Isn t the breath of the mint delicious? And that tea rose--why, it s a song and a hope and a prayer all in one. And it s GOOD to see you again, Diana!" "I thought you liked that Stella Maynard better than me," said Diana reproachfully. "Josie Pye told me you did. Josie said you were INFATUATED with her." Anne laughed and pelted Diana with the faded "June lilies" of her bouquet. "Stella Maynard is the dearest girl in the world except one and you are that one, Diana," she said. "I love you more than ever--and I ve so many things to tell you. But just now I feel as if it were joy enough to sit here and look at you. I m tired, I think--tired of being studious and ambitious. I mean to spend at least two hours tomorrow lying out in the orchard grass, thinking of absolutely nothing." "You ve done splendidly, Anne. I suppose you won t be teaching now that you ve won the Avery?" "No. I m going to Redmond in September. Doesn t it seem wonderful? I ll have a brand new stock of ambition laid in by that time after three glorious, golden months of vacation. Jane and Ruby are going to teach. Isn t it splendid to think we all got through even to Moody Spurgeon and Josie Pye?" "The Newbridge trustees have offered Jane their school already," said Diana. "Gilbert Blythe is going to teach, too. He has to. His father can t afford to send him to college next year, after all, so he means to earn his own way through. I expect he ll get the school here if Miss Ames decides to leave." Anne felt a queer little sensation of dismayed surprise. She had not known this; she had expected that Gilbert would be going to Redmond also. What would she do without their inspiring rivalry? Would not work, even at a coeducational college with a real degree in prospect, be rather flat without her friend the enemy? The next morning at breakfast it suddenly struck Anne that Matthew was not looking well. Surely he was much grayer than he had been a year before. "Marilla," she said hesitatingly when he had gone out, "is Matthew quite well?" "No, he isn t," said Marilla in a troubled tone. "He s had some real bad spells with his heart this spring and he won t spare himself a mite. I ve been real worried about him, but he s some better this while back and we ve got a good hired man, so I m hoping he ll kind of rest and pick up. Maybe he will now you re home. You always cheer him up." Anne leaned across the table and took Marilla s face in her hands. "You are not looking as well yourself as I d like to see you, Marilla. You look tired. I m afraid you ve been working too hard. You must take a rest, now that I m home. I m just going to take this one day off to visit all the dear old spots and hunt up my old dreams, and then it will be your turn to be lazy while I do the work." Marilla smiled affectionately at her girl. "It s not the work--it s my head. I ve got a pain so often now--behind my eyes. Doctor Spencer s been fussing with glasses, but they don t do me any good. There is a distinguished oculist coming to the Island the last of June and the doctor says I must see him. I guess I ll have to. I can t read or sew with any comfort now. Well, Anne, you ve done real well at Queen s I must say. To take First Class License in one year and win the Avery scholarship--well, well, Mrs. Lynde says pride goes before a fall and she doesn t believe in the higher education of women at all; she says it unfits them for woman s true sphere. I don t believe a word of it. Speaking of Rachel reminds me--did you hear anything about the Abbey Bank lately, Anne?" "I heard it was shaky," answered Anne. "Why?" "That is what Rachel said. She was up here one day last week and said there was some talk about it. Matthew felt real worried. All we have saved is in that bank--every penny. I wanted Matthew to put it in the Savings Bank in the first place, but old Mr. Abbey was a great friend of father s and he d always banked with him. Matthew said any bank with him at the head of it was good enough for anybody." "I think he has only been its nominal head for many years," said Anne. "He is a very old man; his nephews are really at the head of the institution." "Well, when Rachel told us that, I wanted Matthew to draw our money right out and he said he d think of it. But Mr. Russell told him yesterday that the bank was all right." Anne had her good day in the companionship of the outdoor world. She never forgot that day; it was so bright and golden and fair, so free from shadow and so lavish of blossom. Anne spent some of its rich hours in the orchard; she went to the Dryad s Bubble and Willowmere and Violet Vale; she called at the manse and had a satisfying talk with Mrs. Allan; and finally in the evening she went with Matthew for the cows, through Lovers Lane to the back pasture. The woods were all gloried through with sunset and the warm splendor of it streamed down through the hill gaps in the west. Matthew walked slowly with bent head; Anne, tall and erect, suited her springing step to his. "You ve been working too hard today, Matthew," she said reproachfully. "Why won t you take things easier?" "Well now, I can t seem to," said Matthew, as he opened the yard gate to let the cows through. "It s only that I m getting old, Anne, and keep forgetting it. Well, well, I ve always worked pretty hard and I d rather drop in harness." "If I had been the boy you sent for," said Anne wistfully, "I d be able to help you so much now and spare you in a hundred ways. I could find it in my heart to wish I had been, just for that." "Well now, I d rather have you than a dozen boys, Anne," said Matthew patting her hand. "Just mind you that-- rather than a dozen boys. Well now, I guess it wasn t a boy that took the Avery scholarship, was it? It was a girl--my girl--my girl that I m proud of." He smiled his shy smile at her as he went into the yard. Anne took the memory of it with her when she went to her room that night and sat for a long while at her open window, thinking of the past and dreaming of the future. Outside the Snow Queen was mistily white in the moonshine; the frogs were singing in the marsh beyond Orchard Slope. Anne always remembered the silvery, peaceful beauty and fragrant calm of that night. It was the last night before sorrow touched her life; and no life is ever quite the same again when once that cold, sanctifying touch has been laid upon it. CHAPTER XXXV UP CHAPTER XXXVII 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 12 41 (Tue)
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27 HEROIC VERSE 曲名 ジャンル アーティスト デフォルト曲 VALKYRIAS -英雄誕生- HEROIC VALHALLA ROCK BEMANI Sound Team "HuΣeR" fert.Fernweh Rainstorm UPLIFTING TRANCE Maozon feat. Chica Moving On PSYCHEDELIC TRANCE AJURIKA feat. 矢吹真央 NRG STAR 86 feat. 大山愛未 Hi-NRG Y Co. Hold My Hand MELODIC DANCE MUSIC BEMANI Sound Team "Sota Fujimori" 曼荼羅恋々 GOTHIC CORE BEMANI Sound Team "Akhuta Works" feat. Nana Takahashi Change Yourself TRANCE ARM × kradness Ska-sh All Neurons!! A-STYLE NEURO+"スカ"+FUNK DRUMSTEP かめりあ feat. ななひら Hyper Drive feat. ぷにぷに電機 DANCE POP パソコン音楽クラブ Mel DRUM'N'BASS Applekid UNITE THE HEART DANCE POP DUET BEMANI Sound Team "T.Kakuta" feat. 709sec. / 花たん セピアの軌跡 ft. 天宮みや(少女フラクタル) MS J TRANCE POP Xceon Calvados Queen JAZZ ROCK OSTER project feat. かなたん LIGHTNING MODEL稼働開始記念楽曲(当初はLIGHTNING MODELのみでプレー可能) LIGHTNING STRIKES Hi-GAIN ENERGY BEMANI Sound Team "HuΣeR" And-RoiD J-POP Fujishiro feat.KNA イベント解禁曲 (サントラでは「28 BISTROVER」に収録) 27th style HIP HOP 三代目 "dj TAKA DAYBREAKERS" Voo Doo Bamboleo TRIBAL DANCE SOUND HOLIC Vs. ZYTOKINE feat. CALEN Horizons of Promise ALTERNATIVE ROCK BEMANI Sound Team "SPIRITUAL RIDE" 錬成人間トリコロイダー 特撮ハードコア DJ SHARPNEL feat. ￥Cuスタ平 Inferno of Fomalhaut DJENT STEP fallen shepherd ft. ricono がっつり陰キャ!? 怪盗いいんちょの億劫^^; Hi-メランコリックコア 噂の怪盗少女ぷらずま★彡Prim@休業中～( _ _ ).。 サウンドトラック発売記念収録 開きたまえ！ Next stAge！ CHARACTER SONG librarians of Rootage (Ripnte, Stampa and Cleep) 版権曲・カバー曲(IIDX EDITION) (外部リンク先 UtaTen・Uta-Net) 令和(1991RAVE REMIX) RAVE ゴールデンボンバー POP TEAM EPIC(kors k Remix) IIDX EDITION 上坂すみれ 俺ら東京さ行ぐだ IIDX EDITION Remixed by すわひでお uno(IOSYS) EXCITE IIDX EDITION Remixed by BEMANI Sound Team "HuΣeR feat.PON"
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Chapter 9 ギアハウスに向かう途中 ギアハウス トランスポート内部 進路を塞ぐ触手 ステーションに向かう途上 ギアハウスに向かう途中 ? We only had two years Isaac. Two years, but they were the best years of my life. I was happy - I had everything I wanted. Until you made me doubt myself. 二年。私達の関係はそれだけだったわね、Isaac。でもそれは私にとって最高に幸福な二年間だったわ……あなたが私に、過ちを犯させるまでは。 ? Why would I choose the Ishimura over you? You said I d regret passing up the chance - that the choice would haunt me forever. It was as if you wanted me to leave. どうして私が石村に乗ることを選んだと思う？あなたは言ったわね。「このチャンスを逃すと後悔する」と。ずっと心にひっかかっていたわ。まるであなたは私を遠ざけたいように思えた……。 ? And when you received my final transmission, you couldn t bear to watch the end. could you? You knew what had happened yet, you went looking for me anyway. You knew deep down all you would find was death. そして、あなたは私からの最後の通信を受け取った。でも、私の最期の瞬間に対しては目を背け続けた。あなたは私に何が起きていたのか知っていたのに、その事に目を背けて私を探すふりをし続けた……でも本当は知っていたんでしょう？どんなに探しても出てくるのは死体しかないのだということを。 ギアハウス Isaac All right. I ve released the Transport. Meet me at the landing. よし、トランスポートを起動したぞ。乗り場で合流しよう。 Ellie We ll be right there. Stross, come on. Come ON! すぐに行くわ。Stross、来なさい。来いってば！ トランスポート内部 ? Why did you come looking for me if you knew I was dead, Isaac? Did you think I would forgive you? どうしてあなたは私を探しに来たの、私が死んでいる事は、わかっていたはずなのに？Isaac……あなたは私に許されたいとでも思ったの？ Isaac Get out of my head! You re not Nicole! 俺の頭から出て行け！お前は……Nicoleなんかじゃない！ ? Who am I, Isaac? ならばワタシハダレだ、Isaac！？ ... Ellie Hey, you made it. やったわね。 Stross He s staring at me, Isaac. Through the... holes... in his head. 彼が僕を見つめているよ、Isaac。穴の中から……彼の頭に空いた……。 Isaac Stross, listen to me, listen to me! Stross、聞け。聞けよ！ Stross Stop staring at me! Stop it! 俺を見つめるな！やめろ！ Isaac Relax! Relax! 落ち着け、落ち着けって！ Ellie Isaac, we have to get out of here. Isaac、早くここを出ましょう。 Isaac Right. Let s go. ああ、そうだな。行こう。 ... Isaac Oh my God! It can t be - that s the Ishimura... なんてこった！嘘だろ、あれは……石村じゃないか…… Ellie Yeah, used to be the pride of the CEC. Sad story, actually. I heard everybody onboard died - some sort of terrorist attack. ええ、CECの威信を示すためにここに置かれているのよ。悲しい物語……乗組員は全員殺されたと聞いたわ、テロリストの攻撃によって。 Isaac What? Terrorist attack? What happened on board that ship was no terrorist attack. 何だって？テロリスト、だって？あの船で起きたのは、テロリストの攻撃なんかじゃない。 Ellie What do you mean? どういうこと？ Isaac That s where all this started, Ellie. Everything that s happening here happened on that ship. I saw it, I was...onboard when it happ...happened. あそこが全ての始まりなんだ、Ellie。今起きている事は全て、あの船で起きた事の続きなんだよ。俺は、見ていた……あの船に乗っていたんだ、あの出、出来事が起きた時に――（振動） Stross? Hey, what s happening? おい、何が起きているんだ？ Ellie I... I don t know. Something must be blocking the track. わ、わからない。何かが進路を塞いでいるみたい。 Isaac Stay here. I ll take a look. ここにいろ、見てくる。 進路を塞ぐ触手 Isaac Ellie! There s a giant tentacle blocking the transport door. It s wrapped around a big tank. Ellie！巨大な触手がトランスポートドアを塞いでいる！大きなタンクの周りを取り囲んでいるようだ。 Ellie A big tank? Nitrogen Trichloride. Those explode if they overheat! 大きなタンク？三塩化窒素ね。一定温度を超えると爆発するわ！ Isaac Perfect! そいつは素晴らしい！ ... Ellie That worked, we re moving again. We ll wait for you up ahead. 効果ありね、トランスポーターが動いてる。この先で待機してるわ。 Isaac Alright, I see you. I ll meet you there. ああ、ここからも君達が見えるよ。合流する。 ... Isaac Ok, Ellie! Get ready, one more! あー、よし、Ellie！準備はいいか、もう一回だ！ Ellie What?! Are you crazy? That one in the middle? If you set that off it will incinerate everything in here! は？！ちょっと正気？あそこにあるタンクを？それを爆発させたらここにあるもの全部吹き飛んじゃうわよ！ Isaac Yes it will. Tell Stross to hold on. here we go... そうだろうとも。Strossに何かに捕まるように言ってくれ。いくぞ…… ... Ellie This whole place is going to blow! Get up here, fast! Isaac! この場所はもうすぐ吹き飛ぶわ！上がって来て、早く！Isaac！ Isaac Ugh! Uh! Go! Go! Go! よし、行け！行け行け行け！ Isaac Faster, Ellie! Faster! スピードを上げろ、Ellie！もっとだ！ Ellie I can t make it go any faster! これ以上スピードは出せないわよ！ Isaac Oh. God. Come on. クソ、神よ、頼む！ ステーションに向かう途上 Tiedemann In another situation, I might admire your persistence, Mr. Clarke. But this is bigger than you and bigger than the lives of everyone on this station. 状況が異なっていれば私は君のタフさに敬意を抱いていただろうな、Mr.Clarke。しかし、この問題は君や君を含むステーション全ての人間の生命よりも重要な事なのだ。 CEC Troop Sir, final preparations for evac are wrapping up. サー、退避準備、完了しました。 Tiedemann It looks like this ends here. At this point, it s all just... dead weight. これでようやく全てを終わらせられる。ことここに到って……全ては「死重」に過ぎない。 Ellie Isaac, what does he mean? What did he mean when he said dead weight? Isaac、彼は何を言っているの？死重ってどういうこと？ Isaac He s using the solar beam! We have to stop the transport! Now! 奴は……ソーラービームを使う気だ！トランスポートを止めるんだ！今すぐ！ Ellie Oh shit! ああ、畜生！ Ellie He... he cut the station in half. There s no track to get across on. 彼は……奴はステーションを真っ二つにしたわ。向こう側にはもう渡れない。 Isaac Back us up! Back us up to that station! 戻れ！さっきのステーションに戻るんだ！ Ellie What? Why? どうしてよ？ Isaac Just do it, Ellie! Hurry! Uh! The Ishimura. If the gravity tethers are still functional I can- いいからやれ、Ellie！急げ！石村だ。もしあれの重力錨がまだ機能しているとしたら―― Ellie you can snare Gov Sec and drag it back. Isaac, this is ridiculous. 分断された行政区画を無理やり引き戻せるって？Isaac、悪い冗談だわ。 Isaac If I can line up the tracks for a few seconds you should be able to get the Transport across. Stay ready, and take care of Stross. もし線路をわずかな間でも繋げられるとしたら向こうに渡ることは出来るだろう。準備しておけ。それと、Strossの面倒も見てやってくれ。 Ellie Isaac, no, this is really bad idea! Isaac、ダメよ。その考えは良くない！ Isaac Stick around. I m full of bad ideas. どうせ頭の中は「良くないもの」で一杯さ……ここにいろ。
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ALEA FRACT-GEN1 Arguments obj1 int optional obj2 [generic-function] Generates the coordinates of points on a fractal curve, based on graphical data. obj1 is the pairs of coordinates or a BPF; int is the number of iterations; obj2 is the pairs of coordinates or a BPF. The fract-gen1 module applies the figure, or object, defined by obj1 onto itself or onto a second object, obj2, if that optional input has been opened. The first output of this module is a list of coordinates ( (x0 y0 ) (x1 x2 ) ... (xn yn )), the second input is a list of the x values and the third one a list of the y values
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http //www.tracychapman.com/ http //www.myspace.com/tracychapmanfolk Collection New Beginning Crossroads Tracy Chapman Collection 2001年10月11日 1. Fast Car / 2. Subcity / 3. Baby Can I Hold You / 4. The Promise / 5. I m Ready / 6. Crossroads / 7. Bang Bang Bang / 8. Telling Stories / 9. Smoke And Ashes / 10. Speak The Word / 11. Wedding Song / 12. Open Arms / 13. Give Me One Reason / 14. Talkin Bout A Revolution / 15. She s Got Her Ticket / 16. All That You Have Is Your Soul New Beginning 1995年12月1日 1. Heaven s Here On Earth / 2. New Beginning / 3. Smoke And Ashes / 4. Cold Feet / 5. At This Point In My Life / 6. Promise / 7. Rape Of The World / 8. Tell It Like It Is / 9. Give Me One Reason / 10. Remember The Tinman / 11. I m Ready produced by Don Gehman and Tracy Chapman Crossroads 1989年10月10日 1. Crossroads / 2. Bridges / 3. Freedom Now / 4. Material World / 5. Be Careful Of My Heart / 6. Subcity / 7. Born To Fight / 8. Hundred Years / 9. This Time / 10. All That You Have Is Your Soul produced by David Kershenbaum and Tracy Chapman Tracy Chapman 1988年8月25日 1. Talkin Bout A Revolution / 2. Fast Car / 3. Across The Lines / 4. Behind The Wall / 5. Baby Can I Hold You / 6. Mountains O Things / 7. She s Got Her Ticket / 8. Why ? / 9. For My Lover / 10. If Not Now ･･･ / 11. For You produced by David Kershenbaum
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1128 Frame Stacking 問題 http //acm.pku.edu.cn/JudgeOnline/problem?id=1128 解答例 import java.util.*; public class Main { public static void main(String[] args) { Scanner sc = new Scanner(System.in); while(sc.hasNext()){ int h = sc.nextInt(); int w = sc.nextInt(); char[][] table = new char[h][w]; for(int i=0;i h;i++) table[i] = sc.next().toCharArray(); Solver sol = new Solver(h,w,table); sol.printSolution(); } } } class Solver{ int h; int w; char[][] table; int letternum; char[] letterset; HashMap Character,Integer dict; boolean[][] less; Solver(int h, int w, char[][] table) { this.h = h; this.w = w; this.table = table; makeLetterSet(); } public void printSolution(){ makeLessTable(); char[] output = new char[letternum]; boolean[] used = new boolean[letternum]; Arrays.fill(used,false); printSolution(0,output,used); } private void printSolution(int k,char[] output,boolean[] used){ if(k==letternum) System.out.println(output); for(int i=0;i letternum;i++){ if(used[i]) continue; output[k] = letterset[i]; boolean cont = false; int l = dict.get(output[k]); for(int j=0;j k;j++){ int m = dict.get(output[j]); if(less[l][m]){ cont = true; break; } } if(cont) continue; used[i] = true; printSolution(k+1,output,used); used[i] = false; } } private void makeLessTable(){ less = new boolean[letternum][letternum]; for(int i=0;i letternum;i++) Arrays.fill(less[i],false); for(int k=0;k letternum;k++){ char c = letterset[k]; int hmin = h; int hmax = -1; int wmin = w; int wmax = -1; for(int i=0;i h;i++){ for(int j=0;j w;j++){ if(table[i][j]==c){ if(i hmin) hmin = i; if(i hmax) hmax = i; if(j wmin) wmin = j; if(j wmax) wmax = j; } } } for(int i=hmin;i =hmax;i++){ if(table[i][wmin]!=c){ char d = table[i][wmin]; int l = dict.get(d); less[k][l] = true; } if(table[i][wmax]!=c){ char d = table[i][wmax]; int l = dict.get(d); less[k][l] = true; } } for(int j=wmin;j =wmax;j++){ if(table[hmin][j]!=c){ char d = table[hmin][j]; int l = dict.get(d); less[k][l] = true; } if(table[hmax][j]!=c){ char d = table[hmax][j]; int l = dict.get(d); less[k][l] = true; } } } } private void makeLetterSet(){ boolean[] find = new boolean[26]; Arrays.fill(find,false); for(int i=0;i h;i++){ for(int j=0;j w;j++){ if(table[i][j]== . ) continue; int c = table[i][j] - A ; if(!find[c]) find[c] = true; } } int cnt = 0; for(int i=0;i 26;i++){ if(find[i]) cnt++; } letternum = cnt; letterset = new char[letternum]; dict = new HashMap Character,Integer (); cnt = 0; for(int i=0;i 26;i++){ if(find[i]){ letterset[cnt] = (char)( A +i); dict.put(letterset[cnt],cnt); cnt++; } } } }
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